Showing posts with label college. Show all posts
Showing posts with label college. Show all posts

Saturday, August 1, 2020

Two New Reviews from Book Bloggers

A couple of really nice reviews of GenderQueer were posted this week by book bloggers, with any luck drawing some more attention to my book and luring more people to read it!


"In a world which is still conservative at large and prejudiced for the most part, Derek's story is agonizing despite being inspirational. I say this because it shows us just how hurtful and indifferent people can be, especially if you are trying to tell the truth about something that they'd much rather pretend doesn't exist...

No amount of research into theoretical assumptions and claims can replace the experience of reading someone's life story and knowing what they've been through. The narrative style is simple yet powerful. By the time you reach the final page, you'll feel like you've had quite the journey...

Characters: This is obviously about the main character or the author himself. I don't think its necessary to mention again how moved I was by his story. I, however, would like to talk about the brilliant way in which the others are depicted. Some characters represent a particular way of thinking. No matter what we think about stereotyping, it's true that some people share the same sort of antagonism and hatred when it comes to the LGBTQ+ community and this group appears pretty frequently in the book, needless to say. The author has merged several like minded people into a few characters because they are significant only because of their point of view. This has resulted in a story not overcrowded with characters and has left enough space for Derek to reveal himself to the reader...

Genderqueer succeeds greatly as a memoir because it excels in every sub-category."

Saradia Chatterjee (Blogger: Crazy Curious Sara) Crazy Curious Reader




"I guess I'd shot my mouth off. - First Sentence, Part One: School. At A Party: 1979

This is who I am, how I am. Get used to it! I will never again tolerate people being mean and nasty to me and acting like I deserve it because I don't act like a guy. From now on being all worried about that is gonna be their problem. - Memorable Moment, Page 166

I ...had thought to use the metaphor 'like a round peg in a square hole' but somehow that didn't feel strong enough so, abnormal, there I've said it - the author was made to feel abnormal, for the most part this wasn't comfortable reading and arguably the former portions spent on the author's early life experiences were a tad too drawn out, and yet that said ...

Not always a journey easily travelled (and especially not then) I think that not to have chronicled these events and, perhaps more importantly, the feelings they gave rise to, in such detail would have been to do a disservice to the experiences of not only Derek but also to generations of people who have rarely been represented; whose stories have never been told.

A very human story but one that provides an important insight into gender and identity."

Felicity Grace Terry (Blogger) Pen and Paper



More reviews and book purchase information available here on my author web site


In other news, I've begun querying lit agents and small publishers about my second book, That Guy in our Women's Studies Class, and next week I'm thinking I'll post the query letter than I'm using for it. On the one hand, I think it will be a more difficult sell: the topic of being genderqueer is about as hot at the moment as its ever been, whereas the second book, while still tangentially about that (the main character, i.e., me, is genderqueer, and that both informs a lot of the character's interactions with the other characters and also is the reason for majoring in women's studies in the first place), is a lot more focused on the presence of a male person (or man, or person perceived to be male or a man at any rate) within feminism and the larger questions of privilege and marginalization... and that's probably going to be perceived by lit agents and publishers as a lot more intellectual and less mainstream. On the other hand, I'll have the advantage of being a published author already this time around. The author of a book that's being nominated by the publisher as their entry for the Aspen Prize, in fact!

*preen*

So I may be able to pull it off, to get my second book published.

I'm still soliciting beta readers, by the way. It's only recently out of the oven and I want to get some folks to do taste tests, so if you're up for a novel-length nonfiction book about a sissy who hitches to New York to major in women's studies, give me a holler.


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You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

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Saturday, June 27, 2020

I've Finished Book Two! That Guy in Our Women's Studies Class!

Well, I've finished rewriting it from scratch from the ground up at any rate. It's still a rough draft, and at the same time I didn't just compose it, either.


It existed previously. The raw material text for both GenderQueer and for That Guy in our Women's Studies Class was generated as part of my autobiographical tome that I wrote between 2010 and 2013. I extracted and edited and named That Guy in our Women's Studies Class as long ago as 2014. I even sent out some query letters!

But honestly it just wasn't a very good book. Whereas I would proofread and edit GenderQueer with pride, Guy in WS kept making me wince. And at some point I recognized that it belonged in a trunk, perhaps to be revised and redone at some future point, and I focused on getting GenderQueer published.

I came back to it in May of 2019. At the time, I was mired down in my efforts with the main book, and I needed a project, something to give me a sense of progress and accomplishment.

In my writer's group, Amateur Writers of Long Island, I quit bringing in excerpts from GenderQueer, which I considered to be a finished book, and began bringing in my work in progress, Guy in WS, the way the other authors were doing, so that I'd get feedback on what I was currently focusing on as a writer.

GenderQueer was accepted for publication in September and for a lot of the following four months I was pretty narrowly focused on that. But during the Coronavirus era, with my book out but no prospect for addressing audiences as a guest speaker, I dove back into it.


That Guy in Our Women's Studies Class (second beta version)

95,000 words in three large units. Chapter divisions to be created later. A mostly autobiographical account of my years in college trying to utilize women's studies as a means to speak and write about my different gender / experience with society's notions about what it means to be male / being a sissy, etc.

It's not quite as absolutely nonfictional as GenderQueer is. In broad strokes, it is, but I took more liberties with moving conversations and discussions into contexts where they made a more interesting story line. Where GenderQueer is about 98 % truth (or as much so as I'm capable of remembering it), Guy in WS is around 85 %.

If you have any interest in being a beta reader of what is still really a work in progress, shoot me a personal message or email and let me know.


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You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

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Thursday, March 12, 2020

Now It's Real: I'm in Print!!

BookArrives01


BookArrives02

There's nothing quite like holding the actual physical printed book. Finally! I'm a published author now.

Showing my age, I suppose, but somehow having an eBook to send out as an Advance Review Copy (ARC) doesn't seem much different from just printing the book out to PDF and mailing it to a potential publisher or lit agent.

It is utterly gorgeous. Kudos to Sunstone Press. High quality physical materials, really nice cover, good paper, solid-feeling construction. It feels like something that will survive on library shelves and hold up to being tossed into backpacks and knapsacks and whatnot.



Ten years ago I began writing what would eventually become GenderQueer. (I started trying to get it published in 2013)

Forty years ago I came out on UNM campus — the climactic event in the book. Long before there was any such term as "genderqueer" I described to people how the person I was inside was basically the same persona as what's more typical of girls and women, that this made me different in the same general way that gay and lesbian folks were different, but that it was something else. Not trans, either (I was physiologically male, and that wasn't the problem). I invented my own terms, created my own symbols, wrote my own manifestos and began dealing with the insinuations and innuendos and hints by dropping my own coy allusions and double-entendres into conversations, unworried about whether people could parse them or not, confident, finally, of who I was, what I was, how I was. Let other people be uncomfortable with it if they must, but I'm done with that.



I've been reviewed in a handful of college newspapers with more promised to come, and a couple have been entered on GoodReads. Amazon isn't allowing reviews to be posted until the official release date (I guess?) (3/16/20) and I don't yet have any reviews in commercial or LGBTQ publications but expect those to start appearing as well. Haven't placed any ads yet (aside from a blog tour package) but we're designing them and I do have an ad budget.

I've heard it said that this is a good time for folks to stay indoors and avoid the crowds and curl up with a good book. Read mine! Then, if you liked it, recommend it to your friends.

It's a different story than any you're likely to have read, and I want folks to hear it.



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My book is being published by Sunstone Press, and is now available on Amazon and now on Barnes & Noble

(paperback only for the moment).

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Thursday, January 23, 2020

It's a Date!

There's been a delay -- my book will not, as previously indicated, come out in January -- but I do now have an official release date! GenderQueer: A Story from a Different Closet will be published by Sunstone Press on March 15, 2020.

Front Cover


So here's what the delay is about: if you pick up a nonfiction book, you're likely to see a block of text on the copyright and dedication page that tells you how the Library of Congress has categorized the book. Libraries and other institutions make use of this.

It's called a "CIP Block".

Here, for example, is the CIP Block for the book Guns, Germs and Steel by Jared Diamond:


Library of Congress Cataloging-in-Publication Data
Diamond, Jared M.
Guns, germs, and steel : the fates of human societies / Jared Diamond.
p. cm.
Includes bibliographical references and index.
ISBN-13: 978-0-393-31755-8
1. Social evolution. 2. Civilization—History 3. Ethnology. 4. Human being—Effect of environment on. 5. Culture diffusion I. Title
HM206.D48 1997
303.4—dc21 96-37068
CIP
W W Norton & Company, Inc. 500 Fifth Avenue, New York N.Y.10110
www.wwnorton.com
W.W.Norton & Company Ltd., Castle House, 75/76 Wells Street, London, W1T3QT


Sunstone Press is a publisher that does release nonfiction books that are purchased by libraries and is therefore a participant in the Cataloging in Publication program. More info.

Since I hope for my book to be acquired by libraries and to become assigned reading for women's and gender studies programs at colleges, it seems very much in my best interests to have my book enrolled and given a CIP block.

Well, the Library of Congress apparently doesn't always move with great alacrity when a publisher sends in a manuscript. And that's what the wait has been about.

Between now and March 15, I should be getting a listing on Amazon for advance orders. I'll keep y'all informed.


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Saturday, November 23, 2019

Bookstores and Libraries and Community Centers, Oh My!

Having given approval to the formatted manuscript and the covers (back and front), I've now effectively switched effort-gears from "getting book published" to "getting people to read the book", even though it hasn't rolled off the Sunstone Books presses yet.

At this phase, where the book's availability is predicted but still slightly off in the future (January 2020, for benefit of the curious), the focus is on women's and gender studies programs at colleges, and LGBT community centers. I can be booked to speak at such venues even before it's possible to show up with a stack of the books on the table in front of me.

I actually did some of that in 2016-2017 when I had previously thought my book was on the verge of coming out. I thoroughly enjoyed the experience. Learned a lot, too. When I next have an opportunity to present, the presentation is going to be more closely focused on my specific type of gender identity and what it brings to the table. People like the "Gender 101" introductory material but I think I can encapsulate it in a much smaller portion of my talk.

Later, once the book can be purchased, I will add libraries and bookstores to the list of targets.

To be sure, a library or a bookstore, theoretically speaking, could also have a presenter or speaker before their book is available for purchase. But in the case of bookstores in particular, my research thus far indicates that they aren't much for "events", or at least not the kind of event that revolves around a gender-variant person discussing gender identity. Some of the new age and mystical / spiritual book stores do host events but they're most often focused on chakras and healing and the sale of gems and oils and other non-book substances that they market along with books on the subject. University bookstores generally don't do events at all, of any sort, and the remaining balance of independent bookstores mostly want the author's book to be available for purchase first.

Meanwhile, my publicist, John Sherman of Sherman & Company, is going to have an additional focus: getting my book reviewed. That, surprisingly enough (for me at least), is something that needs focused attention before the book's release date. Some important reviewers won't review a book once it comes out.



My day-job skills as a FileMaker database developer are again serving me well, just as they did for the querying process. For this publicity effort, I have 11614 records in my database (with many of them containing multiple contact persons to fire emails or snailmails or phone calls off to). Of those, 864 are college campus women's and/or gender studies programs; 412 are LGBT community centers, a mixture of on-campus and independent. Then I have 1552 academic libraries and a whopping 7263 public libraries, any and all of whom could theoretically acquire a copy of my book for their shelves. I have no experience pitching this possibility to libraries, but with any luck I will learn as I gain experience. Then I have 32 LGBT-focused bookstores (a declining phenomenon, unfortunately, although part of the decline may be that the subject matter is more mainstream and more often carried by mainstream bookstores), and 1351 other (generic) independent bookstores. The independent bookstores and libraries are dual-opportunity: they could book me to speak, and purchase copies of my book to stock and sell as well. Finally, I have 139 reviewers, bloggers, booktubers, and individual people who asked me to alert them when the book becomes available.

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Saturday, July 13, 2019

Progress on THAT GUY IN OUR WOMEN'S STUDIES CLASS (Book II)

I'm still plugging away on the second book to be extracted from my autobiographical tome. This is a complete rewrite; the original text of the autobio is not directly usable, unlike the portion I used for the first book, so I just reference it for notes and reminders. With the scene that I wrote yesterday, I'm up to 96 pages, which should come out to be roughly a third of the final manuscript.

I'm a participant in an author's group where we bring up to 1800 words' worth of our work-in-progress and read it out loud to get feedback. That's helping immensely, not just for the direct advice but for the overall sense of connecting to an audience and hearing that yes, they find the story entertaining and engrossing.

Plotwise, I'm at a point where my main character (that's me, of course) is in the first year of women's studies classes, a college freshman, successfully making an impact with professors and connecting with some of the other students, but hasn't yet been able to explain the whole "male sissy" thing in such a way that people understand what these social issues are all about.

In the second year I will show him (i.e., me) getting established on campus as an outspoken political type, with a reputation mostly associated with militancy about pyschiatric rights and homelessness, and known for being that guy who is into feminism. He (i.e., me) also gets a romantic interest! The second and third year together should be no more than another third of the book; the first year section is longer because it has a long retrospective backstory portion and has to do a lot more initial setup.

The big challenge all along was whether I could manage a sufficient balance between complex intellectual ideas versus interactive personal stuff with conversations and characters and all that. So far so good, I think.



By the time of the events in this story begin, I had come out in 1980 as a heterosexual sissy, a person with an identity that was different in the same general way that gay & lesbian and transsexual (see next paragraph) people were understood to be different, but, well, different from those identities. I had even written a book by 1982, The Amazon's Brother. But I was very isolated; I wasn't connecting with anybody who understood WTF I was talking about and I had no one reading what I'd written. I hadn't succeeded in getting a publisher interested.

The scene that would later be called the "LGBT" community did not include gender variance back then, not really. It was all gay rights. I viewed gay people as allies (particularly lesbians who were likely to be feminists) but not really comrades in the same cause. Transsexual people -- yes, that was the word in use back then, nobody was saying "transgender" yet -- were people who transitioned by getting operations and taking hormones, and there was no sense of other kinds of trans people who didn't want to align their physical sex with their gender identity, so I didn't see myself as fitting in with them either, aside from which their presence in the community was mostly just hypothetical. They were so thin on the ground number-wise that a person did not actually encounter them at community centers and so on; officially there was probably starting to be some inclusiveness, some mention on fliers about them as part of what gay and lesbian centric organizations were about, but really it was all gay and lesbian, and mostly gay guys for that matter.

I hitched to New York to become a women's studies major in college. (The book's backstory section covers how I made the decision to do that, and my adventures getting there). I figured that the things I wanted to talk about -- that the expectations for people of a given sex were socially created, not built-in natural, and that the intolerance for people who were different was sexist -- would be right on topic for the women's studies classroom.

And besides, my head was deeply into feminist theory by this point anyway. I felt like the whole way society is set up, its overall values and structures, is a direct consequence of how gender is set up, that society is a machine and it runs differently depending on how gender gets configured. And feminist theory, especially radical feminist theory, made the same claim, that this was the political axis around which all social issues revolved. Not class, like the socialists believed. Not race, like the 60s activists had mostly believed. This. And that insight, incidentally, is something I still find missing from most gender discussions even to this day -- we do a lot of identity politics about who is marginalized and oppressed and unfairly treated, but not so much discussion about whether global warming, the military confrontations and economic deprivations, or the buildup of religious intolerances and so forth are all the way they are as an outcome of how gender is socially organized on this planet.

The trajectory of this book will bring my main character (i.e., me) to the limits of the role that a guy can authentically play in women's studies and in feminism, just as he's getting an academic article published and burning his final bridges with the graduate school department and leaving without a PhD to go figure out some other way of approaching all this.



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Sunday, February 24, 2019

Brushing the Dust off Book #2

I am part of an author's group where we read 1800-word excerpts or installments (or, for the poets and short-article writers, the entire thing) and give each other feedback. For my own selections I have been bouncing around a bit, getting feedback on portions from all over the book, but also gradually getting a sense of people's reacion to the overall message, and it's a positive one, they're getting it. Even carved up into snippets delivered in random order, sufficient exposure to what I wrote is conveying the concept of being a gender invert to an audience of people who aren't particularly familiar with MOGII* identities or gender issues. That's all good news.

Most of the others who are working on long, novel-length books are bringing in their latest chapters and therefore picking up where we were left off at the previous meeting. That has got me thinking about returning to work on my second book, provisionally titled That Guy in Our Women's Studies Class, about my undergrad and graduate school experiences as a women's studies major and about trying to explain my peculiar sense of identity within the framework of feminist theory.

It's been a long time since I worked on it. The autobiography certainly covered that portion of my life, but it's less easily lifted and edited and repurposed as a book than the eighth-grade-through-coming-out portion that became the first book. To render it as an interesting entertaining read, and to tell the story I want to tell, I'm going to need to rewrite it from the ground up and just rely on the autobio as a reminder of events and situations I might otherwise not think to use.

I started doing that, briefly, back in 2015 but didn't get very far because I've been so immersed in trying to get this book, GenderQueer (aka The Story of Q), into print.

I'm hoping the discipline imposed by wanting to have a new selection to read to the group will keep me going this time.

* MOGII = marginalized (or minority) orientations, gender identities, and intersex; an alternative formulation I prefer over LGBTQIA+ or QUILTBAG (queer/questioning, uncertain, intersex, lesbian, trans*, bisexual, asexual, and gay)

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Wednesday, January 16, 2019

Singing the Sissy Femme Blues

This song could get me in trouble.



I've occasionally mentioned that at the time I was coming to the realization of my gender identity, and outed myself on campus and to the world (to the extent that I could), I was a music major at the University of New Mexico, hoping to hone my skills as a composer, songwriter, pianist, and singer.

There I was, wanting to explain being a gender invert, wanting to educate the world, wanting to communicate. So, with music among my available tools, I started writing songs about it.

This song is straight out of the blues tradition, a howl, or a whine if you prefer, bewailing what it's like to be male, femme, and attracted to women.

It's an easy target for accusations of insensitive and unwoke political incorrectness: the singer apparently wants to be congratulated for not treating women as sex objects like so many other males do (yeesh, like according women the minimal courtesy of treating them as humans instead of sex toys should win him some kind of prize?), while using objectifying language about female anatomy to do so (yeah, folks, content warning), and he dares to criticize women for reacting to male people in general based on the behavior of males as a class, as if that were somehow unreasonable.

Yeah, well that's a big part of why singing songs about it isn't the ideal mechanism. Too much of this gender situation requires careful and precisely nuanced explanation. I soon realized I needed to write about this, that I was best off depending on my skills as a writer.

I am, of course, well aware that the behaviors of both women and men are structured by the social situation, that none of us behave in a vaccuum but instead face penalties for behaviors that depart from the imposed pattern. I am, of course, complaining about those same kinds of patterns as they get imposed on male people, the whole gender polarization thing.

It's hard to express complex political analysis within the lyrics to a song.

But the blues are not about justifying the reasons for having the blues. The blues are about howling, saying that this is how it feels. And that's something people should know. Analyses of who is entitled to feel this or think that, or theories about blame and causality and so on certainly have their place, but if you want to understand social phenomena, you need to get a sense of how the people in various identities and social locations feel.


Without further ado... Another One © Allan Hunter 1981



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Monday, November 5, 2018

Summarizing a Life

As a consequence of my mother dying and an unusually high volume of other friends', relatives', and associates' lives coming to an end within the last year or so, I've heard a lot of summaries of people's lives, condensations of who those people were around some ongoing themes or primary accomplishments.

I've been doing this all my life. Or all my adult life at any rate. I started when I was 21.

Trying to explain being a person whose body is male and yet whose persona is feminine. Trying to become understood by other people in those terms. Trying to get people to add that to the list of possibilities and accept it as a valid identity.

I've had limited traction. I've put a lot of energy into it but it has mostly gone into spinning my wheels without propelling me very far forward. I've had limited effect. Perhaps I am not very good at what I set out to do; perhaps I lack the talent or the appropriate skill-set or something. I don't have a significant following of people listening or reading what I have to say on the subject.

I've occasionally seriously considered putting this down and walking away from it. I mean, the problem with being Don Quixote is that you do not merely fail to defeat your windmills, you don't even get the satisfaction of having the windmills become aware that you're making the attempt. It gets discouraging.

When I was 22, at the end of a year in which my initial efforts had caused me to be detained in a psychiatric facility and disenrolled from college, and in which attempts to "find my people" had gotten me nowhere, I began to question whether these ideas really made sense, or even if they did, whether they were anywhere near as important as they'd seemed when they first came into my head. I came out of that period of questioning convinced of two things: I didn't have to do this, it was not my duty; but yeah, they made sense of my life and they made sense of society around me, and without them there was a boiling meaningless chaos, and so I was inclined to continue to hold onto them, and in believing in them I was driven to continue to try to communicate.

Many years later, at the end of my 30s, my plans appeared to have collapsed around me with no significant progress made: I'd come to the New York area again seeking to "find my people" but the lesbian gay and bisexual scene such as it existed in Manhattan in the 1980s was just starting to open to transsexual (now called transgender) people, very few of whom were coming to participate; and I didn't find a space in which I could explain my own situation and find anyone with similar identity or experience. I'd also latched onto the idea of majoring in feminist studies: I'd write about this stuff and interact with classmates and teachers and I'd connect with people instead of just finding kindred souls within the pages of feminist theory books! But that hadn't quite panned out either, and now my graduate school career was over with no PhD or teaching position in sight. But I'd obtained an MSW in social work along the way and landed a job and figured over the years I'd make professional connections and get to inform policy makers and write grant proposals and create relevant services to bring my people together somehow. But the social work organization had disbanded and I'd been cast adrift and, finding myself unable to get a job offer in social work, had taken an office job developing database software. Lucrative but not relevant to my "mission". And I'd connected romantically with people several times only to always have them unravel, leaving me concerned that I couldn't maintain a relationship or that I wasn't a desirable partner. So I started to think of myself as someone in early retirement, a social activist driven from the field with nothing to show for it.

Over the course of my 40s I retraced my steps, mental ones and actual physical locations, trying to get a clear sense of what had happened in my life and whether or not this was still something I wanted to do, and if so how I was going to proceed. It took awhile but increasingly as I looked back on who I had been and what I'd attempted, I saw it as worthwhile and began to think about what to do next.

From the self-examination activity there came an autobiography, and at it took form I began to think "this is what to do next; show people what it is like, don't theorize about it, show them!" And from the autobiography came the distilled and augmented story that I'm trying to market as GENDERQUEER: A STORY FROM A DIFFERENT CLOSET. My memoir and coming-out and coming-of-age story.

Five years into the process of trying to get it into print, I still don't have much to point to except a massive pile of rejection slips (mostly digital, and hence a virtual pile in an email program's folder). It continues to be frustrating.

I've had an occasional success though! Firstly, back when I was a grad student I got an article printed in an academic journal, and it has generated discussion and affected some of the people who've read it over the years. It's some of my best writing and I'm quite proud of it. Same Door, Different Closet: A Heterosexual Sissy's Coming-out Party

Secondly, I've twice had signed contracts with publishers who were promising to publish this book. It didn't happen, but that's a different situation than if I'd been querying for five years and never gotten a serious nibble.

I blog and I post into Facebook groups for genderqueer and other gender-variant groups and/or LGBTQ-in-general groups. I don't have the audience I wish that I had, with a multitude of followers subscribing and commenting. But I reach a few people.

And I've had the opportunity to speak to some LGBT groups and to college women's studies / gender studies classes on campus and in some other venues (including BDSM lifestyle conventions, interestingly enough) and although my audiences have not been huge, I've had people come up to me later and say how relevant my presentation was, and that they've never had those thoughts or feelings validated in that way before.

Anyway, I am now on the cusp of turning 60. It seems increasingly likely that yes, this is going to be "what I did with my life". My life's work. My primary lifetime project.

So... if you encounter someone like me -- perhaps someone who wanders into your Facebook group and says "I don't know what to call myself... I was thinking maybe genderqueer, or perhaps nonbinary... my body is male and I don't think it is wrong, and I don't want people to think of me as a female person, I'm not... but who I am, my identity, is feminine or femme or like basically I'm one of the girls or women" -- do me a favor and tell them about me. Tell them I call it being a "gender invert". Refer them to some of these blog posts. And if my book is published by then, tell them to read my book.


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